Squeezer is a tube-driven compressor for studio, guitar and bass use. It smoothens out your sound and keeps you right where you want to be in the mix – while enhancing your sound with rich tube warmth. And it naturally gives you complete control of all essential parameters, letting you craft a compression that’s all your own.
Bass players tend to get buried in the mix – and it’s not just because guitarists are always turning up the volume! Your bass has a low frequency range, which makes it difficult for the human ear to distinguish in the first place. And the techniques bass players use – from atmospheric open-string drones to popping and slapping – cover a wider dynamic range than almost any other instrument in your band. Squeezer evens your dynamics out, making your lines come through at the right level, no matter how you’re playing.
Compressors can be complicated, but Squeezer keeps things simple – giving you full control over compression ratio, threshold, attack, release, gain and overall level in a neat, logical design. This makes Squeezer great for use on stage, where you don’t have time for fiddling with too many knobs. But don’t be fooled by this pedal’s elegant design. It’s a full-featured precision instrument that can be fine-tuned almost infinitely – for a perfect sound in the studio as well as live on stage.
Gain, Level, Comp, Threshold, Attack and Release knobs, built-in tube, input and output jacks, 12 V DC, rugged design with a British racing green finish.
Effect usage: 260 mA
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Eingangsimpedanz @ 1 kHz |
> 1M ohm |
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Ausgangsimpedanz @ 1 kHz |
< 1M ohm |
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Spannungsversorgung |
12V DC (T- Rex FuelTank) |
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erforderliche Mindestspannung |
10,8V DC |
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zulässige Höchstspannung |
12,5V DC |
| Strombedarf @ 12 V DC | 260mA |
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maximaler Eingangspegel Vp/p |
regelbar |
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Anschlüsse |
Eingang, Ausgang (6,3 mm Klinken) |
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Regler |
On/Off, Level, Comp, Release, Gain, Threshold, Attack |
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Pedal size incl. knobs (W x H x D) |
100 x 55 x 120 mm |
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Weight |
0,638 kg |
Compressors can be complicated, but Squeezer keeps things simple – giving you full control over compression ratio, threshold, attack, release, gain and overall level in a neat, logical design. This makes Squeezer great for use on stage, where you don’t have time for fiddling with too many knobs. But don’t be fooled by this pedal’s elegant design. It’s a full-featured precision instrument that can be fine-tuned almost infinitely – for a perfect sound in the studio as well as live on stage.
Gain, Level, Comp, Threshold, Attack and Release knobs, built-in tube, input and output jacks, 12 V DC, rugged design with a British racing green finish.
Effect usage: 260 mA
Die ersten Klangbeispiele sind vom italienischen Bassisten Fabio Trentini.
Man muss bedenken, dass verschiedene Bässe (aktiv, passiv) zu unterschiedlichen Ergebnissen führen. die Beispiele wurden mit einem Fender Jazz Bass eingespielt.
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SQUEEZER ON |
SQUEEZER OFF |
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Good to push a (busy) bassline more in the foreground, especially if played with the pick. Threshold: 1 o'clock |
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» PUMPING REGGAE/ DUB BASS comp A more extreme setting for a slightly "pumping", Threshold: 2 o'clock |
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This setting can help a slap bassline to be more Threshold: 1 o'clock Comp: 9 o'clock |
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All purpose, very useful "standard" setting Threshold: 2 o'clock |
Einige interessante Beiträge vom dänischen Bassisten Bastian Sjelberg:
| Slap | Reggae | Disco | 60s |
Right click image to download



